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14" Thappu folk instrument Musical Instruments for Dance Buy Online

More on the Products

  • Colour Variations color variation

    Colour Variations

    Colours may slightly vary or may not, from what you see on your monitor with the actual piece. This may be because of monitor resolution or picture tube variances. The image shown is shot from the master piece and we always ensure we send you the exact shown coloured product with the same workmanship and prints. Products with dyeing work may have slight colour variations because of manual dyeing process.

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    1. Get a full refund. If you ask for a full refund we would require you to bear the shipping costs.or

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Item ID:
Thappu
Price:
$13.72

Overview

The Thappu is extensively used in temple festivals, religious celebrations, folk music and dance. In the last several centuries, just like the Parai, it has also been used by the drumming community to provide inauspicious ritual services such as accompanying funeral processions. At funerals the drumming is of a very fast beat to evoke Sudalai Muni or Sudalai Aandi (Lord Shiva), who favours the Koothu beats, to liberate the Athma (soul) of the deceased.

There is also a Folk dance variation known as Thappaattam (Thappu Dance) where the players evoke contrasting beats as that of their counterpart and or group. The dance contains numerous movement patterns all carried out while holding and playing the drum. The Thappu drums beats are almost identical to the Parai and similarly is so powerful and captivating. Indeed it also naturally makes the person sway, clap their hands or stamp their feet in synchronisation to the beat or actually dance.

actual width Diameter : 14.8" / 37.5 cm

Quantity Available:

Only 19 left

Product Description

The thappu is a percussion and folk instrument of India. It is a circular drum with cow skin membrane. One end is closed with membrane and other end is open.

Thappu is played with sticks. The famous cymbal of music by thappu is called elathalam which is traditional accompanied music.

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